This year's Noir City film festival at the Castro Theatre finishes with some rarely seen examples of the genre.

"Vazante" is an engrossing film from veteran director Daniela Thomas.

Eddie Muller's 16th Noir City Film Festival, running Jan. 26-Feb. 4 at the Castro Theatre, features many frightening, rarely seen films. Audiences will leave chilled and edgy.

The 2018 Oscar candidate from Lebanon "The Insult" begins with deceptive simplicity.

The Hump! Film Festival, the 13th annual event, is coming to San Francisco's Victoria Theater, Jan. 17-27.

Tonight (Jan. 18) the GLBT Historical Society will explore how queer people have been portrayed on screen.

As I watched the Magnolia Pictures doc "The Final Year" (opening Friday), I marveled at how director Greg Barker sliced and diced a tumultuous period for President Barack Obama's foreign policy team.

It's time once again to play that favorite LGBTQ parlor game: name this year's batch of Best Picture Academy Award nominations.

The Castro Theatre welcomes the New Year with a schedule peppered with films up for award-season honors.

Hollywood actress Gloria Grahame would have been 94 on Nov. 28, had she not died of stomach cancer in 1981.

Following are a few film picks to while away Winter 2018.

The latest film from septuagenarian bad-boy director Michael Haneke has the adolescently passive-aggressive title "Happy End."

Writer-director Scott Cooper's "Hostiles," opening Friday, is a bleak but moving excursion along the closing Western frontier.

The second half of our top films of 2017 begins and ends with young men in love (Germany's "Center of My World," Britain's "God's Own Country.")