The Castro Theatre observes the dog days of summer with a calendar highlighted by David Lean's "Lawrence of Arabia" and Alfred Hitchcock's once-neglected late-1950s San Francisco-set masterpiece "Vertigo."
At 40, Alexander McQueen, the rule-breaking, barn-burning, sacred-cow-goring British fashion designer, seemed to be a man on top of the world. But in 2010, at the height of his fame and creative powers in a field he loved, he took his own life.
The audience for the opening night of the San Francisco Jewish Film Festival 38 at the Castro Theatre last Thursday night knew that they were in the presence of genius.
The 38th San Francisco Jewish Film Festival's final four days at the Castro Theatre feature 20 programs, narratives and documentaries focusing on identity - sexual, ethnic and religious.
The new documentary "Dark Money" (opens Friday) argues that the Watergate-era reforms addressing the Nixon scandals have been eclipsed by more sinister efforts by corporations (and possibly foreign governments) to rig the system.
Logo-TV's latest documentary "Light in the Water" tells the untold story of a LA competitive swim team that became a force in the LGBTQ sports movement.
"The #1 rule of political reporting is 'Follow the money,'" says John Adams, capital bureau chief for The Great Falls Tribune from 2007-15, who covers campaign finance abuse in Montana.
Exceptionally handsome, tall, buffed, blonde, blue-eyed, Tab Hunter - named by agent Henry Willson, who also christened Rock Hudson - was labeled the "Sigh Guy," and had countless teenage girls (and boys) fantasizing about him.
The San Francisco Jewish Film Festival will screen two films and will hold a panel discussion focusing on women behind and in front of the lens who are revolutionizing the way women are presented in film.