"tick, tick...Boom!," is more tickle than gloom. Now charming audiences in an already-extended production at NCTC, this posthumous cobbling of writer-composer Jonathan Larson's pre-"Rent" music shines a welcome light on his sly humor and jukebox wit.
With his new book "On Bette Midler: An Opinionated Guide," gay writer Kevin Winkler has taken on the task of not only tracing Midler's personal chronology, but also taking an in-depth look into her performing life.
In the afterword to his novel, "American Scholar," author Patrick Horrigan notes that it was a historical coincidence that inspired him to write his book, and how his own life affair paralleled his scholarly subject.
We love a classy benefit, especially one with notable local celebrities. Also, local theater, dance and music concerts are worth your time and money, in Going Out.
Romelo Urbi is poised for breakout local stardom as he takes on the title role in Ray of Light Theatre's upcoming Bay Area premiere of "Everybody's Talking About Jamie."
Edited by critic/curator Michael Peppiatt, with a forward by novelist Colm Toibin, "Francis Bacon: A Self-Portrait in Words" arrives at a propitious moment. Bacon's paintings have set world record-breaking prices at auction.
The Wingfields' wings have been clipped. That's the burning kernel of pain at the center of "The Glass Menagerie," Tennessee Williams' oft-revived 1944 family drama, now playing in a frustratingly unfocused production at SF Playhouse.
Each year the San Francisco Lesbian/Gay Freedom Band produces "Spotlight," the band's annual gala and fundraiser. This year's event will take place on May 18 with music from animated films and video games.
Harmonia Mundi has released a new live recording of Benjamin Britten's Violin Concerto, with Isabelle Faust as soloist. As in the case of "Spring Symphony," the recording is rounded out with shorter pieces that demonstrate how fine a composer Britten was.
"From The Rooter to The Tooter" explores the amazing life of LZ Love, her trials, tribulations, toils and snares of being a Black child raised in the 1960s and '70s in The Bay Area.
The new film "I Saw the TV Glow" both revels in this compulsive escapism but critiques our culture's fixation with nostalgia as a kind of cocoon and the ways we find and identify ourselves in the shows we watch.
The genres of Country and Americana continue to expand in styles with queer musicians Jaime Wyatt, Amelia White, Creekbed Carter Hogan, Stephanie Sammons, Zoe Boekbinder, and The Western Civilization.