Theatre Flamenco of San Francisco proudly presents the upcoming show "Transitar por un Mundo sin Tiempo (Passage through a Timeless World)" on May 13 at the Herbst Theatre, featuring openly gay dancer Adrian Santana from Malaga, Spain.

From May 12-14, Z Space will host the world premiere of Sharp & Fine's "Imaginary Country," a new dance piece that poses the question: what would happen if you could see into the future?

Migguel Anggelo, the larger than life Venezuelan-born creative genius, has put together a cabaret show called "LatinXoxo" that is an "outrageously queer concert experience."

Detour Dance's "We Build Houses Here," the ambitiously multivalent castaway extravaganza, premieres at Oasis with an ambitious immersive setting.

Qui Nguyen's 'Vietgone' was a huge hit at A.C.T.'s Strand Theater five years ago. 'Poor Yella Rednecks: Vietgone II,' now playing on that same stage, is, as its title indicates, a specimen of an extraordinarily rare thing: a theater sequel.

Along with his stand-up act, Zach Zimmerman's just published book of essays "Is It Hot in Here? Or Am I Suffering for all Eternity for the Sins I Committed on Earth?" will be on sale at his show at the Swedish American Hall.

Renowned Chicana lesbian Monica Palcios presents her solo show "San Francisco, Mi Amor!" about the start of her queer comedy career and activism in San Francisco in the 1980s.

With insight and his unique perspectives on politics, Black life and family, award-winning gay comic Sampson McCormick will have you laughing at truths laid bare. He'll perform April 29 at the Oakland LGBTQ Community Center with Dhaya Lakshminarayanan.

A breakout glam rock cabaret star; a character actress who plays a whole cast of characters; Broadway's standby success story of the year; and a show tune interpreter like you've never heard before.

Our theater critic gives Sanaz Toossi's "English," set in an Iranian ESL class and now playing at the Berkeley Rep, a solid B. But three of its cast members deliver A-plus performances that elevate the entire production to honor roll status.

An enjoyable production of Stephen Sondheim's musical "Merrily We Roll Along," now being staged by 42nd Street Moon, is well worth catching in one of its final five performances before closing after Sunday's Easter matinee.

Drag artist Sasha Velour takes to the stage of the Palace of Fine Arts Theater on April 6 with a new show that's also a celebration of the publication of "The Big Reveal: An Illustrated Manifesto of Drag," her first book.

New Conservatory Theatre Center, never afraid to take on hot-button topics, is once again about to touch the third rail of homosexuality vis-à-vis Catholicism with the West Coast premiere of C. Julian Jiménez's "Locusts Have No King."

With its borrowed brand name and broad physical comedy, "Clue" seems to be gunning for the stupefying success of "The Play That Goes Wrong," but instead unintentionally fumbles along the way.