"#GetGandhi: A Seriously Radical Feminist Comedy" opens this Saturday, August 11, at the Mission District's Z Space Below performance space.
Carole Cook, still quite active in cabaret, is one of more than a dozen performers who will be taking to the stage of the Herbst Theatre on Sun., Aug. 19 for "Help Is on the Way 24," the latest fundraising variety show for Richmond/Ermet Aid Foundation.
"There's a standard criticism that people make about us," says Joan Holden, a member and leader of the San Francisco Mime Troupe since 1967. "They say we're preaching to the converted. Well, don't the converted need to be inspired and animated?"
Shotgun Players' "White" is emotionally hot and utterly of the moment.
My favorite moment in "Sunday in the Park with George" is when the titular artist, George Seurat, describes the inventiveness of the pointillist brushwork in "A Sunday Afternoon on the Island of Grand Jatte."
"Oedipus at Palm Springs," written and originally performed by the Five Lesbian Brothers collaborative, is particularly reliant on the performers' delivery rather than the plot.
Raise your curtains of preconception and imagine a musical: There's a spunky, sexually adventurous gay boy pursued by a hardworking man, a few years older, who wants to tame the young-un's wandering eye and get domestic.
"Oedipus in Palm Springs," a play by The Five Lesbian Brothers, a writing collaborative that includes Lisa Kron, was in rehearsals for a rare revival at Theater Rhinoceros (opening July 12 at the Gateway Theatre, with a local cast).
Beginning on July 10, the Fury Factory Festival of performer-creators from around the country will take over spaces throughout the Mission District and in Oakland to present an eclectic, boundary-pushing series of theatrical events.
The touring production of "School of Rock" now playing the Orpheum Theatre in San Francisco through July 22 is the perfect opportunity to bring your secret air-guitar moves out of the closet.
"Excuse me," says Alan Cumming, through the jangle of Manhattan traffic noise. "I'm hailing a taxi. It's a bit frantic right now." When, one wonders, is it not?
The world premiere of Oakland resident Jonathan Spector's "Good. Better. Best. Bested." - a co-production of Custom Made Theatre and Just Theater - is messy and black-humored, repulsive yet compelling.
A provocative popcorn machine of intellectual entertainment, "Soft Power," playing the Curran Theater through July 8, delivers a rat-a-tat fusillade of sociopolitical satire, musical parody, and autobiographical angst.