Jeremy Jordan, the multi-talented singer-actor who's shared the screen and stage with newsboys, superheroes and bank robbers, will sing and talk with accompanist and erudite interviewer Seth Rudetsky on March 18 at the Herbst Theatre.

There's a whole mess of laughs in John Fisher's "Transitions," a new play that often employs the "stick" approach that Vladimir Putin and ex-wife Lyudmila invoke in their discussions on the dirt they have on Donald Trump.

Should the day come when "Office Hour" can't claim to be ripped from today's headlines, it will be a cause for celebration.

Like most Americans who voted, John Fisher expected the safe and sane candidate to triumph over the one who had so deliciously torn apart his fellow Republicans during the primaries.

Imagine a man playing a woman, and a woman playing a man, who switch bodies. Sound confusing? Not if you're attending 'Star Trek Live' at the Oasis.

Some of the best theatrical experiences arise from situations that seem to have no obvious relevance to the viewer.

The world premiere of an interactive theater production inspired by the historic riots that launched transgender activism in San Francisco opens for a four-week run on February 22 at the New Village Cafe, 1426 Polk St.

What had been the most important casting mystery among the seven shows recently announced by SHN for its latest season of touring musicals was has just been solved.

Arguably the original promulgator of Black Lives Matter, the African-American lesbian playwright Lorraine Hansberry, though dead 53 years, hasn't been forgotten.

In "Red Speedo," Ray is an Olympic hopeful who finds a promising career on the line when his coach discovers a stash of performance-enhancing drugs in the club's refrigerator.

"If I was 6' 3" and muscular, I'd have to make peace with playing romantic leads," wisecracks toothy-grinned, Cyranosed actor/singer Will Roland. "We are all stuck within our types a little bit."

Big news arrived cheek-by-jowl from the side-by-side theaters on Geary Street.

In Tim Pinckney's "Still at Risk," now in its world premiere at New Conservatory Theatre Center, the central character is angry at those younger than himself for not being able to do the impossible.

There was a time when "Man of La Mancha" was cool.