Berkeley Repertory's opening night of comic and playwright John Leguizamo's 'Kiss My Aztec' brought out local luminaries like Rita Moreno, director Tony Taccone, and of course the cast members and musicians in the show.
You'd need an awfully thick skin to resist being tickled by the production of "Rhinoceros," Eugene Ionesco's 1959 classic now at the American Conservatory Theater.
Puck yeah! Relishing his role as Fairyland's mischief chief and occasional cur, Robin Goodfellow, aka Puck (Robyn Kerr) — already the doubling is dizzying! — delights in his assignment to confuse and befuddle.
"Kings," Sarah Burgess' engagingly unsavory behind-the-scenes D.C. drama now being staged by Berkeley's Shotgun Players, is a sort of Capitol Hill "Jurassic Park."
There's an all-too-familiar glimmer of today's San Francisco in "American Psycho," the musical adaptation of Bret Easton Ellis' black comic 1991 novel about a white-collar murderer, now making its West Coast debut.
Miriam, the sharp-witted atheist academic played by Annette O'Toole in "The Good Book" now at Berkeley Rep, is the kind of professor whose bravura makes a lecture hall come alive.
In his latest collection of essays and performance pieces, Tim Miller demonstrates a well-honed sense of humor, a passion for queer history, and the kind of melodrama only a true performance artist can exude.
The title of "Significant Other," playwright Joshua Harmon's curdled romantic comedy now in its local premiere at the San Francisco Playhouse, refers not to one of the play's many soon-to-be-spouses but to Jordan Berman (Kyle Cameron).
Joe Trace and his wife Violet tell two sides of the same story in "Jazz," an adaptation of Toni Morrison's 1992 novel now in its West Coast premiere at the Marin Theatre Company.
