Arts & Culture :: Theater

Opera from the far left edge: West Edge Opera

Opera from the far left edge: West Edge Opera

  • by Philip Campbell
  • Aug 20, 2019

Challenged by production costs, complicated site procurement, and a problematical performance space, West Edge Opera Festival 2019 can still be called a success.

Dramatically incompetent

Dramatically incompetent

  • by Roberto Friedman
  • Aug 20, 2019

The arrival of farce and slapstick on Bay Area boards seems particularly well-timed for our historical moment.

Motherhood finds the class divide

Motherhood finds the class divide

  • by Jim Gladstone
  • Aug 20, 2019

Provocative, poignant, funny and fleet, "Cry It Out" is a refreshing work of just-slightly-heightened social realism.

Tonal tightrope in 'House of Joy'

Tonal tightrope in 'House of Joy'

  • by Jim Gladstone
  • Aug 13, 2019

Audiences attending "House of Joy," opening at the California Shakespeare Theater this week, can expect swashbuckling action, eye-pleasing pageantry and old-time theatrical thrills.

Marga Gomez's 'Who's Your Mami?'

Marga Gomez's 'Who's Your Mami?'

  • by Rae Raucci
  • Aug 6, 2019

For comedian Marga Gomez, coming to queer comedy happened at an early age. So it only made sense to put together her own type of live comedy series. "Who's Your Mami?" comedy is coming to Brava Theater Center's Cabaret.

Tony Yazbeck taps in

Tony Yazbeck taps in

  • by Jim Gladstone
  • Aug 6, 2019

When Tony Yazbeck takes the stage at Feinstein's at the Nikko on Aug. 15 & 16, you'll get the expected singing and storytelling, but you'll also get tap-dancing, a craft infrequently plied on the small-to-non-existent stages of cabaret venues.

Fiddling through a difficult history

Fiddling through a difficult history

  • by Roberto Friedman
  • Jul 23, 2019

The opening-night film for the 39th San Francisco Jewish Film Festival lit up the Castro Theatre screen last Thursday night.

Take part & stay still: 'Kill Move Paradise'

Take part & stay still: 'Kill Move Paradise'

  • by Jim Gladstone
  • Jul 16, 2019

In "Kill Move Paradise," directed here by Darryl V. Jones, playwright James Ijames emphasizes the commonalities of his four protagonists more than their differences.

Come to this 'Cabaret'

Come to this 'Cabaret'

  • by Roberto Friedman
  • Jul 9, 2019

"Cabaret" is one of those shows that just won't go away. Nor should it.

Terrence McNally, a life in the theatre

Terrence McNally, a life in the theatre

  • by Brian Bromberger
  • Jul 9, 2019

"I'm of the school 'Write what you know.' You can educate yourself, but the best writing usually comes from the heart," says playwright Terrence McNally.

'Hairspray': Uplift, SF-style

'Hairspray': Uplift, SF-style

  • by Jim Gladstone
  • Jul 9, 2019

I'd already been grinning for a good 10 minutes when the cast of Bay Area Musicals' joyful production of "Hairspray" launched into the civic swoon of their opening anthem, "Good Morning Baltimore."

'Passion' is a compelling creep show

'Passion' is a compelling creep show

  • by Jim Gladstone
  • Jul 2, 2019

Love and misery intertwine to the point of strangulation in the delectably creepy "Passion" (music and lyrics by Stephen Sondheim, book by James Lapine), now playing in the appropriately claustrophobic confines of the Custom Made Theatre.

Paws and reflect: MTC's 'Wink'

Paws and reflect: MTC's 'Wink'

  • by Jim Gladstone
  • Jun 25, 2019

The fog comes in on little cat feet in "Wink," playwright Jen Silverman's absurd dark comedy now making a promising world premiere at the Marin Theater Company.

Pride 2019: The Master, remarkable Noel Coward

Pride 2019: The Master, remarkable Noel Coward

  • by Tavo Amador
  • Jun 25, 2019

Prominent stage, movie, and television actor. Dramatist. Novelist. Lyricist. Composer. Singer. Cabaret star. Theatre and film director. Celebrated raconteur. Insightful diarist. Noel Coward (1899-1973) was all those things.