There's lots of beautiful music in "Cult of Love," the coruscatingly funny drama now on stage at the Berkeley Rep, as the Dahl clan —elderly parents, four adult children and their partners— has gathered for Christmas and a good deal of familial conflict.

"I can't imagine I'll ever eat an algorithmic cookie and love it," declared queer playwright Minna Lee, whose "My Home on the Moon" is currently having its world premiere production at the San Francisco Playhouse. "Eat a what?!," you may wonder.

When Jeremy Jordan performs at Feinstein's at the Nikko on February 18-20, more than four years will have passed since he last played San Francisco. After his concerts, he's back on Broadway starring in the musical, "The Great Gatsby."

Robert Carter may play a dying swan with Les Ballet Trockadero de Monte Carlo, but he's more of a unicorn in real life. As the longest performing member in the company, he's also one of very few men, and a Black gay man, who performs ballet on pointe.

The Bay Area's hottest live performance from the Black queer community for African-American History Month is Oysterknife's "mouf//full," February 2-4 at the venerable Grace Cathedral. The series blends song, dance and visual design in a three-day event.

With "The Life and Music of George Michael," at the Curran Theatre on February 3, the Wham-bam leather man hunk of your teenage dreams has joined the wizened, grizzled likes of Elvis Presley and Johnny Cash on the "concert experience" circuit.

"As a little kid, I didn't even know about the Broadway show," said actor and singer Deborah Cox, who plays Glinda in a revival of "The Wiz," the Tony-winning 1975 musical that's playing a local stop of a national tour at the Golden Gate Theatre.

"Two Dykes and a Mic" is the hit podcast created by stand-up comedians and platonic best friends McKenzie Goodwin and Rachel Scanlon, who share their magnetic chemistry, quick wit and unique perspectives.

Until recently, it hadn't occurred to me that it could be fraught to describe something as "gentle." But playwright Deneen Reynolds-Knott's lovely coming-of-age romance "Babes in Ho-lland," is just that; gentle.

Whether you celebrated the new year wildly or mildly, 2024 brings bevy of new and ongoing arts and nightlife selections, scrollable this week and every week.

Cirque du Soleil's "Kooza," opening Jan. 17, features two characters: The Innocent, a naïve young man, and The Trickster, a magical mentor who escorts him on a journey of discovery. Dancer-acrobat Joey Vice shares his experience as the new Trickster.

When the curtain rises on NCTC's camptastic, "Ruthless," even the most jaded audience members will find their outlook involuntarily brightened by the production's screaming unmellow zonker of color-coordinated design.

Comedian Matt Rogers, who headlines the Castro Theatre on December 20, is known for his comic skills. Now he's gone full pop star mode, recording a slickly produced yet dryly witty album, "Have You Heard of Christmas?"

San Francisco Playhouse's amiably diverting production of "Guys and Dolls" may well succeed at bringing a warm, fuzzy feeling to fans of the Frank Loesser, Jo Swerling and Abe Burrows chestnut. A reinvention includes some deft gender-switching casting.