Arts & Culture :: Theater

The long & winding road to 'Road Show'

The long & winding road to 'Road Show'

  • by Richard Dodds
  • Dec 30, 2013

’The Nutcracker’ :: More than a Tradition

’The Nutcracker’ :: More than a Tradition

  • by Paul Parish
  • Dec 23, 2013

If you go to one of the recital neighborhood Nutcrackers (and you should! They abound in Marin, Oakland, Berkeley, up and down the Peninsula), you can see some amazing individual performances.

Bay Area stages, 2013: Top 10

Bay Area stages, 2013: Top 10

  • by Richard Dodds
  • Dec 23, 2013

Around the block from Sesame Street

Around the block from Sesame Street

  • by Richard Dodds
  • Dec 17, 2013

Scrooge & Scroogier

Scrooge & Scroogier

  • by Richard Dodds
  • Dec 17, 2013

The Most Wonderful Gay Old Time of the Year

The Most Wonderful Gay Old Time of the Year

  • by Richard Dobbs
  • Dec 15, 2013

The play’s title, its author agrees, may suggest something "Santa Claus Is Coming Out" is not. "You might dismiss the show based on the title as a silly farce without a lot of depth." But you’d be wrong, Jeffrey Solomon says.

A visit from gay St. Nick

A visit from gay St. Nick

  • by Richard Dodds
  • Dec 10, 2013

Treasonous love

Treasonous love

  • by Richard Dodds
  • Dec 3, 2013

Making Yuletide stages gay

Making Yuletide stages gay

  • by Richard Dodds
  • Nov 25, 2013

Filth Business :: John Waters at Yoshi’s

Filth Business :: John Waters at Yoshi’s

  • by David-Elijah Nahmod
  • Nov 21, 2013

On Saturday, November 23, the normally elegant Yoshi’s on Fillmore Street will become mired in sleaze, filth, and boundary-busting humor, as the iconic filmmaker John Waters takes to the stage.

A Christian soul

A Christian soul

  • by Richard Dodds
  • Nov 18, 2013

Return to Catfish Row

Return to Catfish Row

  • by Richard Dodds
  • Nov 18, 2013

Pakistani-skinhead bonds

Pakistani-skinhead bonds

  • by Richard Dodds
  • Nov 18, 2013

His Own Private (and Public) Idaho

His Own Private (and Public) Idaho

  • by Richard Dodds
  • Nov 15, 2013

Playwright Samuel D. Hunter sees a deadlocked society in which one side accuses the other of degeneracy, while that side returns with charges that literal scriptural beliefs border on insanity.