Dr. Carl Blake, a board member, artistic advisor and concert pianist, underscored the beneficent mission of Noontime Concerts, the organization dedicated to presenting free classical and jazz music concerts.
The new HBO Max documentary "Mama's Boy," based on screenwriter and director Dustin Lance Black's 2019 bestselling memoir, aims to tell you much more than what it shows you, yet remains touchingly personal.
The city of Minneapolis figures prominently in prolific gay author Raymond Luczak's new novel, "Widower, 48, Seeks Husband," which spans 40 years, incorporating many significant community events.
Migguel Anggelo, the larger than life Venezuelan-born creative genius, has put together a cabaret show called "LatinXoxo" that is an "outrageously queer concert experience."
Kelly Reichardt's "Showing Up" (A24), her fourth collaboration with Michelle Williams, is about a Portland-based artist who supports herself by working at a local art school, and the various eccentric people in her frazzled life.
Gregg Araki's "The Doom Generation" has been called the alienated teen pic to end all alienated teen pics, "a zany, violent, and erotically charged depiction of Gen-X malaise." The director discussed the restoration of his film ahead of local screenings.
Singing about LGBT and Q love, musicians in folk, pop, rock and jazz Y La Bamba, Caroline Rose, Black Belt Eagle Scout, Eric Reed, Mathew V and Pigeon Pit should be on your new playlist.
Book lovers have many reasons to be excited, as it's already promising to be another stellar year for queer books. Presented here, in a series of installments, are just a few examples of the amazing literary delights this season.
Alison Riley's "Recipe for Disaster: 40 Superstar Stories of Sustenance and Survival" folds in humorous and heartfelt tales to satisfy almost every appetite.
Spring Open Studios finds opportunities for artists, fans and potential collectors to meet. One artist in particular, Michael Kruzich, works in the rarified genre of natural stone and Venetian glass called "smalti" mosaics.
Doris Fish was everywhere in the 1980s. It seemed if she didn't exist someone would have had to invent her. Craig Seligman's "Who Does That Bitch Think She Is? Doris Fish and the Rise of Drag" reminds us that someone did. That someone was Philip Mills.
Qui Nguyen's 'Vietgone' was a huge hit at A.C.T.'s Strand Theater five years ago. 'Poor Yella Rednecks: Vietgone II,' now playing on that same stage, is, as its title indicates, a specimen of an extraordinarily rare thing: a theater sequel.
