The latest LGBTQ and nonbinary-inclusive TV viewing includes a new 'Jeopardy!' champ, witches and wolves, killer ducks on a cruise ship, Latina drag stars, and an unpredictable 'Patient.'

In 'Diaghilev's Empire: How the Ballets Russes Enthralled the World,' Rupert Christiansen's absorbing new chronicle of one of history's most influential dance companies documents a gay producer's influence on the early 20th-century arts scene.

Prior to Stonewall, one of the few ways we discover LGBTQ history is through encounters with the law, along with bar openings and closings, as in San Mateo and northern Santa Clara counties.

As the new docuseries "Queer for Fear: The History of Queer Horror" begins, lesbian icon Lea Delaria points out that horror exists "outside of society," as do queer people. The four-part series can now be seen on Shudder.

French baritone Stephane Degout, a central player in repertoires ranging from early music to new-music premieres, is featured in four recent recordings.

In his new book "Vampire Cinema: The First One Hundred Years," author and film historian Christopher Frayling recounts a century of blood-sucking cinematic (and small screen) masterpieces and camp classics.

Every time house and dance music legend Ultra Naté releases a new album it's a cause for celebration. Her latest, simply titled "Ultra" (Peace Biscuit), is no exception.

With an opening that looks like what "West Side Story" might resemble had it been directed by John Waters, Amanda Kramer's campy and thought-provoking, "Please Baby Please" is a sight to behold.

Since the plot is a virtual carbon copy of its 1993 predecessor, "Hocus Pocus 2" could be considered an unimaginative, repackaged remake, with some amusing moments.

This week's Out in the Bay queer radio + podcast looks at a queer sketch variety show.

While you may not recognize his name, you definitely know his work. Vincent Paterson has choreographed some of the most iconic dances for pop music in the 20th century, plus musicals, operas and more, all shared in his new memoir.

"The Red Shades," now being presented in a world premiere production at Z Space, began seven years ago as a series of voice memos while composer Adrienne Price commuted to and from work.

This month, the small screen gives us some big scares. Here's a roundup of the best new shows, and a bit of scary political news.

Evening fog chills the city, making a mysterious cover for things that go bump in the night. The San Francisco Symphony and San Francisco Opera are providing the soundtrack as Halloween creeps near.