Among LGBTQ people, Ian McKellen is almost God.
"Harry Potter and the Cursed Child" is now playing an open-ended run at the Curran Theater in its first North American production since opening on Broadway last year.
"Summer" has arrived at the Golden Gate Theatre, and with it a bumper crop of corn.
For a happily childless adult, Out There sure does see a lot of "family friendly" theatre and entertainment appropriate for children.
Taking a San Francisco-spirited underground approach to seasonal programming, San Francisco Playhouse has exhumed the critically admired but short-lived recent stage adaptation of the 1993 Bill Murray film "Groundhog Day."
Caryl Churchill's 1979 play, "Cloud 9," a poly- and chrono-morphously perverse comic drama, splits its two acts between 1880s Africa and 1980 London.
Tenderloin edge meets "Let's put on a show!" pluck in Left Coast Theatre's clothes-shedding, zinger-flinging production of "The Most Fabulous Story Ever Told."
Mary Woolley and Jeanette Marks' up-and-down coupledom is the thumping heart of "Bull in a China Shop," playwright Bryna Turner's gutsy political romance now on stage in a handsome production at the Aurora Theatre Company.
The newest show from San Francisco's most explosive comedian, Monica Palacios, is coming soon, and you shouldn't miss it.
"If I could only do one kind of performance," Mandy Patinkin explained in a recent phone interview with the B.A.R., "it would be doing concerts."
"Stomp," the so-called "international percussion sensation," played A.C.T.'s Geary Theater in San Francisco for eight performances last week, and Out There and a lot of vicarious percussionists were in the house.
Playwright Kate Attwell's "Testmatch" is about race and gender and global economic power.
Robert Townsend, who helped pioneer 1980s independent cinema with "Hollywood Shuffle," has a file cabinet's worth of autobiographical anecdotes.