Last year, British actress Glenda Jackson was given an Evening Standard Theatre award for her performance as King Lear.
The pretty, hopeful closing scene of San Francisco Playhouse's "An Entomologist's Love Story" finds Betty (Lori Prince), a self-protectively cynical research scientist, beginning to let her romantic guard down after years of online hookups and solitude.
Carmen Cusack returns to San Francisco this Saturday night for a solo performance at "A Twist of Limelight," the nonprofit Bay Area Musicals' annual fundraising benefit.
Seeing the "Angels in America" revival at Berkeley Rep last month was among the most powerful theatre experiences Out There has ever had. It runs through July 22, and if you're interested in the American stage, you must see it.
A new film of Anton Chekhov;s 1896 play "The Seagull" opens Friday at the Landmark Clay.
Everyone who attends Berkeley Rep's final production of its season will find a keepsake booklet containing the text of the United States Constitution at their seats in the Peet's Theatre.
"True dat," responds a trio of runaway slaves to a series of statements about the debilitating conditions endured by Civil War-era blacks in Suzan-Lori Parks' "Father Comes Home from the Wars (Parts 1, 2 & 3)," at ACT through May 20.
"The Color Purple," a musical hybrid of Alice Walker's acclaimed epistolary novel and Steven Spielberg's movie version, is virtually sung-through.
"Don't you want to be comfortable?" Jonny asks his lifelong friend Charlotte in The Mystery of Love and Sex, a thrilling psychological dramedy playing at NCTC through May 20.
"Angels in America" was born in San Francisco. Berkeley Rep artistic director Tony Taccone was artistic director at San Francisco's Eureka Theatre in 1989 when he commissioned Tony Kushner to write it.
Head Over Heels is an exuberant new musical that opened at the Curran Theater last Wednesday night in advance of a Broadway opening this summer.
I've never read Jessica Hagedorn's novel The Gangster of Love.